He was always drawing contrasts between a woman’s lot and a man’s, and treating her as a wonderful new departure in this comparison. On the appearance of the thief-taker, Mrs. Don’t stand gawping, man. Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. .
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