It consisted of a close jerkin of brown frieze, ornamented with a triple row of brass buttons; loose Dutch slops, made very wide in the seat and very tight at the knees; red stockings with black clocks, and a fur cap. She would not be driven in by this persistent, sneaking aggression. She was already a little prepared by her discursive reading and discussion under the Widgett influence for ideas and “movements,” though temperamentally perhaps she was rather disposed to resist and criticise than embrace them.
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