But there was no feeling of remorse; there was only the sensation of exaltation. Great vistas of history opened, and she and her aunt were near reverting to the primitive and passionate and entirely indecorous arboreal—were swinging from branches by the arms, and really going on quite dreadfully—when their arrival at the Palsworthys’ happily checked this play of fancy, and brought Ann Veronica back to the exigencies of the wrappered life again. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance.
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