She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. He shuddered. She was dressed in one of those complicated dresses that are all lace and work and confused patternings of black and purple and cream about the body, and she was in many ways a younger feminine version of the same theme as himself.
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This video was uploaded to ssibasmatirice.com on 10-06-2024 03:30:50
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