"He can't escape. Well, they’d got to the pheasants, and in a little while he would smoke. Manning told her he loved beauty, and extorted a similar admission from her; he then expatiated upon his own love of beauty. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. She was surprised at his modesty. “With regard to the conditions I mentioned,” Sir John continued, gaining a little confidence from Anna’s silence, “I think you will admit that they are not wholly unreasonable. That there would eventually be a lover Ruth knew; and she waited his appearance upon the scene, waited with an impatience which was both personal and literary. ’ Obediently, Gerald rose and walked to the other end of the parlour. Other things came.
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