At this time of universal havoc and despair,—when all London quaked at the voice of the storm,—the carpenter, who was exposed to its utmost fury, fared better than might have been anticipated. Something changed for her. Kneebone, who began to feel sleepy, wound it up, and snuffed the candles. "No, I don't. Look here. The horror of those few minutes was still with her. And we'll see whether it won't put the Italian opera out of fashion, with Cutzoni, Senesino, and the 'divine' Farinelli at its head. “For nothing, do you call it?” he declared. He wanted to put on his overcoat and come after you and look for you—in London. It gave her joy to see them laughing, even though she was unsure of what she had done wrong. It was a curious sight to see how this extraordinary woman, who, it has been said, was not less remarkable for the extreme delicacy of her features, and the faultless symmetry of her figure, than for her wonderful strength and agility, conducted herself in the present encounter; with what dexterity she parried every blow aimed against her by her adversary, whose head and face, already marked by various ruddy streams, showed how successfully her own hits had been made; —how she drew him hither and thither, now leading him on, now driving him suddenly back; harassing and exhausting him in every possible way, and making it apparent that she could at any moment put an end to the fight, and only delayed the finishing stroke to make his punishment the more severe.
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