“Odd!” he remarked, rather surprisingly, after a little interval. The person, shortly afterwards ushered into the room, seemed by the imperfect light,—for the evening was advancing, and the chamber darkened by heavy drapery,—to be a middle-sized middle-aged man, of rather vulgar appearance, but with a very shrewd aspect. She saw herself begin a slow, sinuous dance: and stop suddenly in the middle of a figure, conscious that the dance was not impromptu, her own, but native—the same dance she had quitted but a few minutes gone. It was a sort of cooking-room, with an immense fire-place flanked by a couple of cauldrons, and was called Jack Ketch's Kitchen, because the quarters of persons executed for treason were there boiled by the hangman in oil, pitch, and tar, before they were affixed on the city gates, or on London Bridge. And yet, often when alone, he wondered: had McClintock been wrong, or had she ceased to care in that way? The possibility that she no longer cared should have filled him with unalloyed happiness, whereas it depressed him, cut the natural vanity of youth into shreds and tatters.
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