She had a compartment to herself in the train from London to Morningside Park, and she sat with both her feet on the seat in an attitude that would certainly have distressed her mother to see, and horrified her grandmother beyond measure; she sat with her knees up to her chin and her hands clasped before them, and she was so lost in thought that she discovered with a start, from a lettered lamp, that she was at Morningside Park, and thought she was moving out of the station, whereas she was only moving in. Of this boy she had only caught a glimpse;—but that glimpse was sufficient to satisfy her it was her son,—and, if she could have questioned her own instinctive love, she could not question her antipathy, when she beheld, partly concealed by a pillar immediately in the rear of the woollen-draper, the dark figure and truculent features of Jonathan Wild. All that was needed to complete the simile was that the girl should burst into song. She visited the corner that had been her own little garden—her forget-me-nots and candytuft had long since been elbowed into insignificance by weeds; she visited the raspberry-canes that had sheltered that first love affair with the little boy in velvet, and the greenhouse where she had been wont to read her secret letters. “That’s not working so well for you, is it?” She looked at him sheepishly, bringing a Kleenex out of her pocket to wipe away the excess.
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