" "You'd better take care of your mother's son instead," rejoined Blueskin. For the present, he murmured his farewells, and turning, caught Hilary’s eye and walked away, crossing the ballroom to move into the less opulent, and less crowded, saloon next door where servants were dispensing refreshments. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming.
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